New Look 6429- A Dress with an Inset

 

 

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Hi All! Summer is in full bloom here in Oregon, with blue skies and sunshine, the perfect start to my vacation. I thought I’d show one last addition to my travel wardrobe before heading out for a couple of weeks. Yes, I have alot of clothes (LOL) but wouldn’t you know it? At the last minute, I decided I NEEDED one more dress.  In a frenzy, I grabbed some fabric from my stash, a bit of lace, and a New Look pattern. Here’s the result.

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This sheath is New Look 6429, a dress I wanted to sew the minute I saw it in the catalog. With the options to add an inset or a cut out, this pattern was on my ‘must have’ list right away. I love the raglan sleeves and the great neckline.

I chose view C, because I can never  pass up an opportunity to add a lace inset.

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The pattern went together quickly and easily, but be forewarned. The sizing is really (!!) generous. I had to take seams in everywhere. This is one occasion when sewing a quick muslin wouldn’t have hurt, but as you all know, I don’t have the patience to take this extra step, and here’s the price I pay for it. An easy sew turned into a bit of a project because I had to fuss around with fit.

The fabric I used is a cotton with a  very, very slight stretch. The pattern is designed for wovens and stretch is not required, but I love just a little bit of stretch when I want a dress to be super comfortable, as is the case when I travel. If a dress can’t be worn all day, it doesn’t make the cut, you know?

IMG_4271I love this dress, and am so glad I found the time to squeeze in one more make as I know this will get alot of wear.

I’ll be away from my sewing machine for a few weeks, which makes me a little said. The good news? My stash has shrunk a bit over the last few months, making room for some new vacation purchases. I hope I’ll have some interesting finds to share when I return.

I hope your summer sewing is progressing nicely and that you’re enjoying some great weather. Happy sewing and thanks for stopping by!

 

 

A cold shoulder top, dress or tunic

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I cannot get enough of the cold shoulder look. As with most trends, when I finally get on board, I don’t let go!  This is my second cold shoulder project (first one here) and I can tell you, it will not be my last. Here’s the reason I love the cold shoulder look. Showing a bit of skin at the shoulder gives even a loose, summery top or dress a bit of a sexy vibe.

What’s even better about this top, is that it’s so versatile! By hemming it a bit on the long side, I can wear it either as a top or a dress! Here it is loose and unbelted for a hot day.

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Here it is over jeans, perfect for a day that’s a bit on the cool side.

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I think this pattern plays to the advantage of a cut-out shoulder. Even though the cut of the top is unfitted, the shoulder gives it a bit of interest, and makes it look more shapely than it is. You can belt it, or not, as the mood strikes.

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The pattern is Butterick 5889, an easy top, tunic and belt.

It’s a bit oversized with a slit opening at the sleeves that could not be easier to construct. The sleeve hems and the sleeve splits are just finished with a narrow hem. So fast! The cold shoulder look is created when you tack the sleeve split together at the top and bottom.

The shape of this top is rather loose and boxy, so I choose a very lightweight cotton with great drape (Mill End Store) so that it wouldn’t overwhelm my small frame. The hardest thing about this top, was getting the pattern perfectly lined up on center front, so you know this top is easy!!

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I can imagine wearing this top/dress both ways, belted or loose (although the unbelted version might be a bit of a man-repellant, if you’re worried about that sort of thing, LOL).

From cut-out to finish, this top took only a couple of hours to create. It might have taken less if I wasn’t watching High Society (Grace Kelly could not be more gorgeous. And the clothes!)

This top is such a fast, fun make, I might try it again out of a rayon challis. View B also has pockets and a front placket, so I might give that a go at some point. If you decided to try it, I recommend sticking with a drapey fabric, as it does have a very generous cut. The pattern came out in 2013, but it’s still easy to find and on-trend now.

What do you think?  Do you prefer it as a top, a tunic or a dress?Isn’t it nice to have some easy projects during summer? There’s so much to do outside, away from one’s sewing machine.

Happy sewing, and thanks for stopping by!

A Dress with a Few of my Favorite Things

 

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I’m smiling because this dress has three of my favorite things: linen, lace and silk. Yes, linen wrinkles, but I’m prepared to overlook that fact because it breathes like nothing else. If the weather is muggy, no worries!  When it comes to heat, this fabric is invincible.

IMG_3568To make this dress even more humidity resistant, it’s lined in silk, a splurge I never will regret. The textured linen is so special, it deserves a great lining. Not only that, but it was such a bargain! I found two yards on the remant/sample shelves at Mill End Store last summer. I bought it immediately, of course, but then I stalled. The fabric was so wonderful, I dithered about what to do with it. A dress? A top? Or, maybe a skirt? I perused pattern books, websites, flitting from one idea to another. How typical. If I love a fabric, I become paralyzed by its perfection! No idea or pattern is good enough for it. Finally, though, I settled on this idea. It’s a good thing because this linen dress is a dream to wear. The linen hangs perfectly, but feels like nothing.

IMG_3504 My dress was inspired by several RTW versions. Here are two fabulous dresses by Derek Lam and Caroline Herrara.

The pattern I used for my dress is McCalls’ 7285. I’ve made it before as a top, but decided I wanted to convert it to a dress.

To do so, I had to modify. The top pattern as drafted is a cropped style so if I extended it to dress length’as is’, it would be too tight in the hips. So, I took my hip measurement, and, as I extended the front and back bodice, I made the shape A-line, making sure the bodice was wide enough to accommodate my own width.

To add the lace embellishment on the bodice, I cut a length of lace the width of the front and back bodices just above the bust line. I stitched the lace in place on both the front and back bodice before setting the sleeves in. That way, when I did finally sew them in, the end of the lace was hidden in the sleeve seam. To add the lace to the bell of the sleeve, I sewed the lace on the bell before sewing the bell’s center back seam so that the end of the lace would be hidden in that seam as well. Also, textured linen has a tendency to fray (this is an understatement!). So, to keep my dress from unraveling into a pile of thread, I overlocked all the seams on the dress, and the silk lining as well.

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I love my summery dress, and I think the top pattern transitioned without too much of a struggle. However, I’m certain my method could be improved upon. I feel like I should have taken fabric drape into account as I extended the top to dress length, and that I’m lucky that it turned it as well as it did!  There must be more to it than just adding a few inches, a ‘method’ with a bit more of a rationale? Have you extended a top to a dress?  Did you just add a few inches, or did you ‘draft’ an extension?

I took my dress for a test drive today, and it was so comfortable. I’m glad I splurged on silk for the lining, because it makes it extra yummy to wear. So, if you wonder if silk is worth, my answer is ‘YES’! Go for it! You deserve it.

Happy sewing and thanks for stopping by.

 

Simplicity 1160-A Cut-Out Tee

Hi all! After completing my denim skirt last week, I needed to find an easy, fun, ‘instant gratification’ project to cleanse my sewing palate.  This little tee was the answer, inspired by a recent visit to Anthropologie. I found so many wonderful tees to admire there. I’m always amazed at how they can take a simple, every day top and with a single detail, turn it into something special.  Here’s the Anthro tee:

Many of the tops I saw in RTW were ‘swing’ tees. It’s a great shape to wear for comfort and ease. I loved the back detail on this one (hated the color on me), although I thought the ties would drive me crazy.  Still, it started a bit of an obsession. I had to sew a tee with a back cut out!! After reviewing a zillion tee shirt patterns, I finally found one that was a decent match. Enter Simplicity 1160, a tee with a scoop neck, a swing shape and a cut-out back.

When I saw the line drawings, I expected that the cut-out would be tricky to sew. Here’s the good news. It’s really not.IMG_3480

The cut out detailing is faced with bias tape, the way you would finish a tee shirt neckline. It isn’t hard to do and the pattern instructions are pretty easy to follow.

The fabric I chose is a cotton jersey with moderate stretch and a soft drape. I think a ponte knit would be too stiff for this, but would love to try a flowy rayon knit next time.

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This pattern seemed risky for me because I have a narrow-back.  I’m happy to report, fit wasn’t an issue at all. The only change I would probably make next time around is to raise the front neckline. It’s a bit low for me, although in the peak of summer, I may love it. Otherwise, this pattern is a winner and I will make it again. After all, I’m ‘all in’ when I find a fun project you can finish in an afternoon.

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Hey look! It goes with my new denim skirt, although it looks a bit wrinkled here…Hmmm, too many wardrobe changes in this photo shoot, I guess! Let’s see. I’ve made a top that goes with my skirt….Does this mean I can say I have a capsule wardrobe?? One thing is clear. If I keep buying blue fabric at my current rate, eventually, everything in my wardrobe will go together.

This tee was so fun to sew, I’m on the search for others with interesting shapes. Style Arc has quite a few; the Tamara, the Kylie and the Maris, but I’ve never sewn a Style Arc pattern before and have heard they’re a bit daunting as the instructions aren’t that great. Any experience to share with Style Arc?

Happy sewing, and thanks for stopping by!

 

Having a 70’s Moment: Denim Button-up Skirt

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Hi all!  In anticipation of summer travels, I’ve been sewing up a storm! I’ve also been aware of a huge gap in my me-made separates wardrobe that must be fixed before I travel. I have very few skirts and almost no pants. My recently completed jeans helped to fill the gap, but I still need skirts, and, as luck would have it, there’s a skirt competition this month at Pattern Review, the perfect motivation!

Being a fan of denim and blue, I couldn’t resist giving a jeans skirt a go. The pattern I chose was Mc Call’s 7392, a fitted skirt with a waistband, a front band, button closure, side front and back seams, and optional pockets and carriers.

I love the design of this skirt. The front and back ‘princess’ seams make ‘fit’ a breeze and the  a-line shape and front button closure are so seventies. To satisfy my craving for ‘jean skirt’, I added some additional details like front pockets and contrast topstitching.The pattern instructions were easy to follow.

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My only criticism….I disliked the way the carriers are attached. They are basted to the waistband, then sewn into the waistband seam. If you want to topstitch that waistband, you can’t because the carriers are in the way. So disappointing. Next time, I will sew the carriers on the way you do with jeans. I’ll just turn the ends under and stitch them in place outside the waistband. Because this pattern has princess seams, I found it easy to modify it to fit my shape. This gets a big ‘thumbs up’ from me, since I have a wide waist that’s out of proportion to the rest of me.

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Fabric Used: I used dark denim, so hard to find but available at Fabric Depot.

Pattern alterations or any design changes you made: I double topstitched everything. I modified the patterns back pockets and side front pockets.

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Since I’m not a fan of side front pockets as I think they make my waist look shapeless, I used the back pockets as a template for two smaller front pockets, which I sewed in place, patch style. To get the smaller size for those pockets, I just traced the back pocket and reduced the size by 5/8 inch all around. I topstitched each pocket and added a chevron style ‘V’ for fun. I hesitated when it was time to put the back pockets on, as I wondered if four pockets on one skirt would be overkill, but the truth is, I love pockets! So I added them.

To make the topstitching look sharp, I double threaded my needle with regular thread. Some might prefer topstitching thread, but my machine doesn’t like it, so double threading gave visual dimension to the topstitch without clogging my machine. I also topstitched the carriers and the waistband seams, even though the pattern didn’t call for them. For a jeans skirt vibe, I used  jeans buttons in an antique finish that you pound in place with a hammer. So satisfying! The button holes were made using the contrast thread.

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In summary, I do like this pattern and will likely sew it again. IMG_3133 (1)

With its many seams, this pattern is easy to modify for fit, and to add your own personal touch. The cut is ‘a-line’ but not too wide at the bottom, so hard to find in a skirt pattern. It definitely satisfied my urge for a seventies style denim button-up skirt. I’ll probably try this pattern again with other dense fabrics like wool or corduroy come fall

I’m curious if others have trouble using topstitching thread? Does it clog your machine? I would love to be able to use it and know there must be a trick that I just haven’t yet discovered.

It’s still cold here, but I remain optimistic and am sewing with linens and cottons…Happy sewing and thanks for stopping by.

The Alder Shirt Dress: One pattern Two ways

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Hi All: I think I’m the last person in the Blog world to try Grainline’s Alder shirtdress pattern! Honestly, after making it twice for this week’s challenge at the Monthly Stitch, I have no idea why it took me so long. It’s a great pattern with two fun versions. One is a traditional dress with a stand up collar. The other is a fun skirted option, with a raised gathered waist. To make things even more interesting, on the Grainline blog, they’ve provided instructions on how to add sleeves and how to adjust the collar to make a  v-neck. Lots of options means everyone’s happy, right?

Well, I don’t know about you, but I have PLENTY of shirt dresses with collars in my closet. And in the heat of summer, I can’t stand a collar rubbing against my skin. So I opted to try the v-neck version. This involves re-drafting the pattern a bit, following Jen’s instructions. Sounds hard, right? It’s not! Honestly, if I can do it you can. IMG_2914My first version of the Alder is the traditional sleeveless version, using an organic cotton print that I purchased at one of my favorite local fabric  shops, Modern Domestic. The cotton is soft and has a great drape, a must for version B of the Alder. The gathered waistline would probably look way too bunchy on a short person like me if the fabric was too stiff.

After tissue fitting the pattern to me, I decided the Alder’s skirt was a bit too full for my small frame. So, I took about an inch out of the Back Bodice before cutting the fabric. That skirt piece is placed on the fabric’s fold, so my adjustment was easily accomplished by extending that piece 1 inch over the fold.

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Gathers: The pattern instructions recommend that you use three rows of long stitches to gather the skirt. When I read this, my initial reaction was that this would be ‘overkill’. Ha. There is a good reason for this. The skirt is pretty full, and to manage all of those gathers and keep them right where you want them, you really do need the three rows of stitching.

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Because I live in Oregon where Summer feels too short, I decided to add sleeves to my next version. Again, Jen has that base covered on the Grainline website. I followed her instructions to take the sleeve of the Archer Shirt and adapt it to the Alder Dress. Let me just say, she makes this pretty simple. I  used a cotton chambray with embroidered accents for this version of the dress. The drape of this fabric is really soft, making it great to wear. I added a bit of contrasting bias trim to the pockets, the back yoke, and the sleeve’s hem to make those design details pop.

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I love both of my Alders! Thanks to the Monthly Stitch for challenging me to make this twice. Sometimes, that’s when the best things happen, when we do something familiar another time. Since my dresses were both inspired by summer, I planned to take photos outdoors, but wouldn’t you know it? It’s forty degrees here today! Still, I trust I’ll have lots of opportunities to wear both of my Alders soon.

Not sure which one I like the best, maybe the sleeveless version, since I love that bright fabric, although I loved inserting that bias trim on the other version. But maybe this style looks better without sleeves? Opinions welcome. I think I’ll make the straight collared version of this dress soon.

Happy sewing and thanks for stopping by!

A lace top inspired by Dolce & Gabbana

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I used to think lace was reserved for prom dresses, frilly wedding dresses and other  hyper-girlie looks. But I think I’ve given that up. I can’t resist the combination of feminine lace with the edge of denim it seems. And if the lace is blue, I’m all in!

My inspiration for this top was this tunic length top/dress from Dolce and Gabbana.

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I fully intended to go the whole way with lace on the sleeves and the longer length of the top/dress, but as luck would have it, when I ordered this lace (Fabric.com), I thought I’d ordered two yards, but ended up with one. Not sure if I pushed the wrong button or if the order was messed up at their end, but when I tried to order another yard, the lace was already gone!

I grumbled about it for awhile, then found a great sheer silk to use for the sleeves and lining. It’s so perfectly wonderful to touch and wear, I decided the mistake was a good thing after all. It forced me to use a contrast silk sleeve which is more comfortable than lace by a long shot.

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The pattern is one I’ve used before McCall’s 7285.

I made view D, and used the silk for the sleeves.

Other modifications:

  • I raised the neckline by an inch.
  • I made 3/4 length sleeves with a rolled hem.
  • The hem is cut ‘high-low’. Because my lace didn’t have a scalloped edge, I merely finished the bottom with a rolled hem.

It’s an easy pattern that’s well designed, a good template for your own creativity. The only challenge here was lining up the lace so that it was perfectly centered.

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I’m wearing this top with my recently completed Jalie Jeans and love the look! It’s comfortable but sufficiently dressy. I wore it to a party just last week.

IMG_1547I only wish I’d bought more of that lace! Honestly, I have got to get in the habit of buying more not less!  I think this top might travel with me this summer. The good thing about this lace? It doesn’t wrinkle, nor does the silk. I’m guessing this top would look dressy if I wore the right jewelry and skinny black pants?

I hope you’re enjoying all of the sewing events in the blog world right now.  I love what’s going on over at the Monthly Stitch. The McCall’s blog has been great too, with a shirt dress sew along. And Pattern Review is hosting a skirt contest. There are so many ways to find inspiration, I feel a bit spoiled. Are you participating in any of these events?

Happy sewing and thanks for stopping by!

New to Me: Kanerva Button Back Shirt

 

I just might be the last blogger in the world to sew the Kanerva top! And better late than never.  This top is truly unique with buttons down the back, a pleated waist, and a split peplum. And as you all know, I’m a sucker for a peplum! True love!

IMG_2348 I’ve wanted to sew something by Named clothing for awhile. I was prompted to finally do so by the Monthly Stitch. It’s Indie Pattern Month over there, and this week we’re sewing a pattern that’s New to Me. This is my first make of the Kanerva blouse, and I am so taken with the design details! Both versions are fitted with two sets of front darts, a pleated waist and a gentle peplum.

To accentuate the fabulous design details of this blouse, I decided to use two different fabrics; A embroidered cotton and a hankerchief linen. I used the cotton for the bodice, the self-drafted pockets and sleeve bands.  I used hankerchief linen for the sleeves and peplum.

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Yes, linen loves to wrinkle, but it wears like pajamas, so all is forgiven. It does tend to fray though, so I finished all the seams with my serger. Of course, the back is where it’s really happening on this shirt!

IMG_2279I used vintage pearl buttons. They’re fairly flat so they won’t poke me when I lean against a hard backed chair. The placket is easy, just a few folds that you stitch down, then you add your buttons and button holes. I added self drafted pockets to the front just because I thought they would look cool and finished the neck with binding.

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All in all, this was a fun, straightforward make. The scariest part for me was transferring the pattern markings. I tested both tracing paper and chalk on my white fabric and both stained, so I had to use thread and pins to mark. Ugh! Not sure what a better choice would be….Recommendations are appreciated! The instructions were easy to follow though and it was about a four hour sew from cut to finish. And, I think I finished this top just in time. It’s (finally!) heating up here, with temperatures expected to be in the high nineties tomorrow. IMG_2367Although I usually choose Big Four patterns (they’re so easy to find and always on sale), I do love the fact that there’s a month dedicated to some of the alternatives available through Indie companies. There are so many choices these days, that you can always find something fun to sew. If you haven’t checked out the Monthly Stitch collective, give it a try!

The trickiest part of this project was transferring the pattern markings. Have you had problems with staining of fabrics with tracing paper? Do you know products that work better for marking?

Happy sewing and thanks for stopping by!

Sew the look: A lace-up shift dress

 

IMG_1735In Oregon, it does not feel like Summer. Today, temperatures hovered around sixty degrees. Still, I’m sewing like it’s ninety! The weather may not be great but my fabric stash is. Who can resist sewing with crisp cottons and linens at this time of year? That’s why I made this dress even though I can’t wear it now. It’s a linen cotton blend, perfect for the sweltering days to come.

This dress was inspired by RTW. Lace up dresses are everywhere and many of them are blue.

The last one is denim, by Current Elliot.  I love the way they used the denim selvage on the hem. Since my fabric had frayed selvages, I just had to try the look. I added the selvage as trim to the pockets, the front band and the sleeve band.

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My pattern: McCalls 7391. It’s a pullover top/ tunic pattern that is long enough to be a dress on me. This is the upside of being short. It doesn’t take a lot of fabric to make a top into a dress!  This top/tunic has a front band, shaped hemline and an option for roll-up sleeves and a lace up front.

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Fabric: A denim/cotton blend with great drape that I had in my stash.

Modifications: I basted a 5/8″ wide selvedge trim on the pockets, front band and sleeve band.

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I made the sleeves 3/4 rather than long. It is cold outside, but some day it won’t be, and I will want to roll them up, and I’d rather not have a ton of fabric to deal with when I do.

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Fit: Because the style is ‘shift’, this pattern is very forgiving in the fit department.  I did taper the dress in at the waist, to give it a bit of shape. There are very few darts and no zipper! Love an easy, fast sew – – especially after finish a pair of jeans.

Challenges:  The instructions are easy to follow with one exception. I struggled with the last step in the insertion of the front band, which has to do with a triangle of fabric you’re supposed to get rid of somehow. The diagram that wasn’t great. I  finally figured it out (you just fold it back and stitch it in place), but I think the instructions were weak at that point.

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Inserting the metal eyelets for the tie: Well, in one way, these things are super fun to insert! You poke a hole in the fabric, push the front eyelet piece through it, then pound and pound and pound with a hammer until the back piece hooks to the front. So fun and…therapeutic.

But it’s scary too. You have to punch a hole in your fabric to accommodate that eyelet(and not that easy when there’s interfacing to contend with). No matter how sure you are about placement, poking a hole feels risky. Of course, every time you cut a buttonhole you take the same risk, but somehow this felt a bit scarier to me, maybe because I used the sharp point of the scissors? I don’t know.  However, the end result is satisfying. So, it’s way worth a scary moment or two, right? You just transfer the pattern markings carefully and all will be good!

All in all, this is my kind of project. The pattern was pretty easy, I learned a new skill (the eyelets!) and I have a comfy but stylish dress/tunic to wear. Not sure if I’ll ever wear it as a tunic….

…but I guess the option is open. If the weather doesn’t improve…I’ll have to!

Have you ever inserted eyelets into fabric? What did you think of that (crazy/fun/manic) process? Also, the ‘tie’ is a piece of cording that I knotted at the ends. But there must be a way to finish those so that they look better. Would love your thoughts and advice.

Happy sewing and thanks for stopping by!

 

 

 

DIY Jeans and a Burda Spring Top

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Hi all! Yes, I have FINALLY finished my first pair of jeans. My class at Modern Domestic here in Portland is over and I squeaked over the finish line with only five class minutes to spare! It feels sooooo good to have this project under my belt. I have wanted to sew a pair of jeans forever, but deep fear led to serious procrastination. But now I know. People, it is not that hard! Seriously, if I can, you can.  I’m already planning my next pair.

First, for those that don’t care about jeans, I’m going to give you a quick run down on this Burda top with a cool cutout in back.

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Pattern: Burda 114 from Issue 4/2016. Instructions were easy to follow (not always the case I have found with Burda) and you can make this top in about four hours or less. There’s also a dress length version. My fabric is a lightweight rayon that wanted to move around a lot, but after multiple tries, I did finally get the pattern pretty straight and centered on this wild print. Of course, the pattern doesn’t include seam allowances so don’t forget to add those:). One nice detail, the sleeves are short but finished with sleeve bands. I love the finished look this gives. It’s an easy pattern and the fit is very loose so I had no issues there.  I plan to make another one, maybe even a dress as I love anything with a bit of interest in the back.

The Jeans: There are so many tutorials in blog-land and on UTUBE that take you through the process of sewing jeans step by step so I will not bore you with that here. Since I’m generally impatient and easily frustrated, I took my first spin into Jeans Land under the Guidance of a Trained Professional, and I’m glad I did. My teacher was great and has made about 30 (?!?!) pairs of jeans. She has it down to a science and can whip out a pair in about four (4) hours. I think my pair took me only twelve (12) class hours. LOL

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Pattern: Jalie is the one we used in class because it has lots of sizes to play around with. The instructions are good, and the diagrams are clear. Yes, there are ALOT of steps, but they do a good job of holding your hand through them.I chose the low rise version and it was just right.

 

FIT: This is the part that scared me the most. The trick? Swedish Tracing Paper (I’m probably the last person to know about this great stuff?) It’s the same texture as interfacing so it doesn’t rip easily.  We traced our jeans pattern pieces onto it, then just basted those puppies together on the machine to check fit.

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Because this is durable paper, it doesn’t tear easily so you can try the paper jeans on then mark any necessary changes right onto the them before using them to cut out your jeans. HANDY! I hate making muslins (so much so that I never do which is not good) but this worked for me. BTW, the legs on this pattern are wide, so I straightened the cut of mine from the thighs down.

Interfacing: We used shape flex, which has a bit of give, a necessity on the waist of jeans. Tip…Cut it out with the grain (I forgot to do this first time through) so that you get a bit of stretch on the waistband when you need it.

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Topstitching: I used white thread (ARGH!!!). If I had to do it again, I would not. It made me crazy and my class got a good laugh as I took out things out over and over again. Pick a thread closer to your jeans color and save yourself some Grief. TIP; My Bernina isn’t fond of topstitching thread, so I used two spools of regular thread which could be pulled through the wider eye on a jeans needle. (don’t look too close at my white topstitching, LOL)

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Pockets: There are lots of templates on Pinterest for topstitching designs. Anything goes! I made up my own design and used a tracing pencil to mark it.

In summary, I like my jeans and will definitely make another pair using this pattern soon. The trickiest bits were the seams around the crouch and I didn’t love making bar tacks (not sure what that’s all about as it’s basically a tight zigzag stitch?), but I think those things will be much easier second time around. I also wish my knees weren’t so baggy. Not sure what to do about that?

What I will do differently next time. I will not topstitch with white. I will not topstitch with white. I will not topstitch with white. Ha, famous last words….

Happy sewing and thanks for stopping by!