Vogue 9311: Playing Dress-up

My every-day wardrobe consists of easy-to-wear layers. But once I year, I have the opportunity to really dress-up. The choir that I sing with, Oregon Repertory Singers has an annual fundraiser where formal attire is required. I always look forward to the opportunity to sew and wear something special.

In past years, I’ve sewn cocktail length dresses, but this year, I wanted something different, so I decided to go ‘long’. Honestly, in all my years of sewing, I’ve only sewn a couple of long dresses. What?? I know!! If it isn’t time now, when will it be?  

For the pattern, I chose Vogue 9311, a long dress with optional sleeves and ruffle. I love the v-neck line and think that it gives the dress a look of elegance. I made the long sleeve version, but shortened them to 3/4 length. Instead of cuffs, I used elastic to gather the base of the sleeves. I wanted to be able to push them up and away from my dinner:). 

The biggest challenge with this make was the fabric. I love the look of this burnout velvet, but it really was tough to work with. The shimmer comes from shiny gold fibres that are woven into the spaces between the sections of velvet ‘burnout’ and they tended to snag. Also, the fabric frayed like crazy so I finished all the edges with my serger before sewing the seams. I purchased microtex needles which really worked nicely! 

Even though the pattern doesn’t call for a lining, I chose to line the bodice and skirt with solid black silk. This really helped give the skirt more body and structure. The lining was easy to create and gave the entire dress a nice finished feel. It’s so lovely to wear! The ties are meant to be worn in the back, but they were so long, I was able to play around with the look, and decided I liked them better in front. 

I’m pretty pleased with my new frock and absolutely love this Vogue pattern. It’s been in my stash for awhile, and I’m so glad I finally decided to make it. I can imagine a version for Spring, maybe in linen. I really enjoyed wearing this dress last weekend. It felt so elegant. The good news is that I’ll have another chance to wear it when we sing with the Oregon Symphony in April.

This project really marks the end of winter sewing for me. I’m really ready to sew up some of my lovely woven fabrics for Spring and Summer. How about you?

Happy sewing and thanks for stopping by!

Finding Violet and Vogue 9363

IMG_4895I’ve really enjoyed the #sew happy color challenge on Instagram. It’s inspired so many lovely posts by members of our sewing community! The premise of the challenge (created by @katiekortmanart) has been to explore combining complimentary colors in new ways. For me, it’s been an opportunity to look at the colors I love and to think about ways I can have more of them in my wardrobe and life.

This last week of #sewhappycolor features violet and blue. Blue…well, you all know how much I love that color (LOL). My wardrobe includes so many blue options, I could wear the color every day if I wanted. I love violet too, but my stash of fabric and wardrobe doesn’t really reflect that at all.

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So I took a trip to the fabric store, intending to buy a beautiful piece of violet fabric. Instead, I ended up with a print. It’s the scale of this one that caught my eye. The areas of solid black provide negative space that really allows the large violet flowers to pop. I really love this print….Hmmm, need/want more like this…

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Vogue 9363 is my pattern, new this Spring. I can’t resist a pattern with a front tie!  (see my other tie makes here, here and here)

Construction: Although the fabric recommendations include rayon and crepe (lots of drape), I chose Japanese cotton because I wanted the top to look more structured. It was such a such a dream to work with. It shapes beautifully and is a joy to press. The pattern is well drafted too. I cut my usual size and have absolutely no complaints about the fit. The curve of the front bodice seam gives it a unique drape, and the sleeves are easy as they are cut as part of the front and back bodice. There’s a zipper in the back and the loose fit is shaped by front and back bodice darts as well as the wide belt. It’s an easy top to fit and wear.

Changes modifications: I made the short sleeve version of the top/tunic. The pattern suggests the sleeves be finished with a machine hem, but since the print has a bit of a vintage vibe to it, I decided to add a rolled cuff to the sleeve with a buttoned sleeve tab. I really like the finished look of the rolled cuff on this generous sleeve.

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This lovely print has reinforced my love for violet. I’m hoping there will be more of this happy color in my future. For more inspiration and information about complimentary colors, check out Katie’s blog…it’s a wealth of information very enthusiastically presented. #Sewhappycolor was such brilliant idea – – Thanks Katie! Have you all enjoyed #sewhappycolor too? Any new revelations?

Happy sewing and thanks for stopping by!

A Vogue Vintage Jacket in Plaid

IMG_9618 2 Hi all! I’m back from a bit of a holiday break with a plaid jacket, inspired by one I saw in Vogue pattern Magazine. If you’re like me, you look forward to each issue of the Vogue Pattern magazine because there is always something there that will spark an idea for a project. This issue was one of my favorites as it was all about PLAID.

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Love the plaid coat on the cover!! Inside, a vintage Vogue jacket caught my eye, and I knew I’d have to make my own version.

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It’s hard not to love a good Vintage Vogue design! Vogue 9082 is especially appealing because it has a cute cropped jacket.

 

I made my jacket from a plaid I found at the Mill End Store here in Portland on my usual Fall visit there. I’m always on the lookout for classic but fun plaids, and, as usual, they did not disappoint. This fabric is really lovely in person; photos don’t do it justice. It has a bit of olive green and gold in it, and it’s so soft, a blend of wool and acrylic. I was lucky enough to get the last two yards on the bolt.

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Challenges: The pattern is pretty straightforward and pretty easy, but hey, I had to complicate things by making mine from plaid. It was a bit of a challenge to lay the pattern out because the sleeves are cut as part of the bodice. This means you must be sure that you place the plaid on the bodice carefully because that line follows down the sleeve. The good news is…because you don’t set in the sleeve, it means you get to avoid the whole sleeve to bodice matching ordeal, The bad news…the wrong placement could mean you’d have plaid sitting awkwardly on your shoulder. My plaid was large so a mistake would be glaring but I think it worked out well. By the way, my success rate with matching plaid has increased considerably since I started using Wonder Clips to hold things in place while cutting and sewing. s-l640

I love these things so much! Just posting a photo of them makes me want to buy a zillion more. You can find them at Joann’s, at craft stores, on Amazon. They are so useful and all the colors….I could go on and on!!

More about the challenges – – those collar points!!  From the line diagram, it appears that the collar is designed to look a bit more angular and pointed than in my version. Not sure why, but mine aren’t quite as dramatic as I expected. I think the error happened when I cut the bodice. When I inspected the pattern pieces later, to my surprise, I’d cut the collar points as I expected them to be, rather than how they were. Perhaps it was because I was binge watching Outlander. Blame it on Clare and Jamie.

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I think the cropped style works best with my highwaisted denim skirt (made here). It would probably work with jeans too!

Future posts and plans….

The holiday season is in full swing around here. It’s my favorite time of year because I get to sing in several Christmas concerts with my choir, which is such a privilege and joy. It also means I’ll be sewing a few fun EASY gifts for friends…Curious if you are too?  My next post will probably be about that. In other news, the year is coming to an end, as is the 2018 RTW fast and I’ve been thinking alot about that experience and what it’s meant to my sewing journey so I’ll share those thoughts too. Then, of course there will be a hits and misses post for 2018. So much to talk about!

I hope you had a nice holiday with family and friends. Happy sewing and thanks for stopping by!

 

 

 

 

 

Remnant Buster– Vogue 9301 three ways

When it comes to fabric shopping I can be my own worst enemy. Last year, I was in a frugal mood. Unfortunately, this didn’t keep me from buying fabric – – it only kept me from purchasing enough. So, I found myself short by a half a yard on several projects. Now, in 2018, I seem to have over-corrected. Now, I have more than my fair share of one yard remnants, leftovers from large purchases of knits that were way too much for the dresses I made recently. What to do? Sew a few knit tops, of course.

Enter Vogue 9301, a semi-fitted knit top designed by Kayla Kennington.

V9301_aWho is Kayla, anyway? If you read Threads magazine, you’ve likely heard of her. She’s a designer who’s written articles for them and her creations are gorgeous – so artistic and amazing. She can take the leftovers from her various projects and turn them into something special. If you haven’t visited her website, do. It’s a treat! Vogue 9301 is such a perfect example of  her style, a semifitted top that you can mix and match fabrics and embellish as you wish.

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My first version was really simple, because I needed to see how the top would fit me. I’m small, so sometimes unstructured tunics can really be overwhelming on me. To test the pattern, I used a piece of fabric that’s been in my stash for so long, it has a faded streak in the back. I’m 5′ 4″ yet, this pattern is almost as long as a dress on me…a great length with leggings.

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Even without contrast fabric, this pattern has a great shape and style.  I loved the asymmetry of the hem line and the hem band – I couldn’t wait to play around with contrast fabric.  To make the top a bit shorter, I shortened both the front and back bodice at the waist line by 5/8″. This made the fit much better I think for my height.

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For this version, I used remnants from this dress, and had some fun playing around with stripe placement. The wide band at the hemline requires alot of fabric (I had very little) and it must be in one piece, so it was a struggle to get it from the leftover fabric I had. Luckily, I made it, but it would have been fun to have cut that band so that the stripes were at a diagonal to the bodice, but that’s what happens when you’re using remnants – options are limited!  I think this version is casual and fun – – the sort of top I throw on over jeans to hang out in.

Version Three: I just had to go all the way, and add in the flaps too!

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I used contrast fabric remnants for the sleeves and the optional flaps. The wide hem band is a second contrast fabric and the sleeve bands are cut perpendicular to the grain.

Vogue 9301 is a fun sew and pretty fast too, each version took me about two hours. It’s a great remnant stash buster, and a nice palate cleanser after my coat. I can imagine using this pattern again.

These tops will make Me-Made-May easier to pull off this year! Are you participating? I’m joining in and will post some of my days on Instagram. I do find the exercise of wearing me-mades every day to be revealing. It’s interesting to see which makes you reach for again and again, and which you ignore! I’ll be sharing my findings here.

Remnant busting is so satisfying – would love to hear what you do with yours. Happy sewing and thanks for stopping by!

Vogue 8952 and the Day and Night Dress Challenge

img_0890Hi all! It’s 20 degrees here in Portland, indoor photo weather of course, but also the perfect weather for sewing. There’s nothing like a cold day to drive you to your sewing room.

Sometimes, after the intensity of the holiday season, I find it challenging to re-focus my energies and to get my sew-jo going. But this year, The Day and Night Dress Challenge, hosted by Elizabeth Made This, has given my sewing a ‘jump-start’. The challenge is to sew two dresses; a day dress and a Little Black Dress for evening wear. There’s a blog tour, (I’ll be hosting here on Wednesday January 11), and a community challenge with prizes and cool sponsers.

This lace top is the first stage of my ‘night dress’ planning.

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My concept for my night dress is an a-line ‘swing’ dress of black velvet and lace, using this pattern as the base by lengthening it to dress length.

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Vogue 8952 is a fun easy sew, with ragan sleeves, my favorite. For this trial version, I used  white lacey knit from Joann’s. I think the shape will be fine for my dress, so I’ll lengthen the bodice by about eight inches before cutting my velvet, then I’ll use black lace for the sleeves and at the hem.

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My day dress will be more fitted, but casual, sewn out of cotton and ponte knit. img_0855I’m making McCalls 7464, using a large plaid for the body of the dress, accenting the sides and sleeves with solid knit.  Both dresses will be finished and posted on Wednesday (fingers crossed). I haven’t tried my ‘day dress’ pattern before, so I hope it will work! Nothing like living dangerously.

The Day and Night Dress Challenge is a great way to start the new year. The community challenge has prizes and cool sponsors too. Come join us! There’s a fun group of bloggers participating in the blog tour, so check them out. The fun starts on Saturday, January 8th and I’ll be posting Wednesday, January 11th, here. For more details on how you can participate, check out the Elizabeth’s fabulous blog, Elizabeth Made This. She’s the brains behind this fun event, and her makes are always a source of inspiration for me.

I hope your new year is off to a great start with lots of sewing time. Will you be making dresses with us this January? I’d love to hear your plans!

Happy sewing and thanks for stopping by!

DIY Cropped Pants and an Easy Top

img_7842Hi All! What are these? Cropped pants? Wide shorts? Culottes? Tell me, please. Whatever they are, they’re strangely reminscent of a poppy skirt I bought in junior high. Yes, it has been that long since I had anything in my wardrobe that was poppy! Can’t tell you why I’ve waited this long because the color is so fabulous. In fact, when you think of all the colors you can wear with it (black, navy, white, denim, maybe even army green?), you could almost call it a neutral.

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I’ve wanted a pair of wide shorts/cropped pants since I saw Mimi G rocking them on her website. Yes, I could have purchased one of her excellent patterns to make these, but I felt sure a shorts pattern I had in my stash would work just fine. But after I made them, I realized didn’t have quite the right top to go with them. You know how it goes. One thing leads to another….

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The cropped pants are a long version of Vogue 9008, a shorts pattern that is so versatile. You can make a flat front or pleated front version. I chose the pleats, but then I sewed them down to give the front a smooth finish. To get the full leg look I wanted, I lengthened the shorts by six inches, keeping the line of the shorts wide at the bottom. I love the effect. The shorts are snug at the top, but they flare out like a skirt at the bottom.

The pattern is pretty straightforward. It has a mock fly zipper, which is easy to insert, and you can add pockets if you want. The instructions were clear. It wasn’t hard, but with belt loops and a back yoke (which I love) this pattern is a bit time consuming.

I made them from poppy linen, purchased at Fabric Depot. It is midweight and I planned on lining the shorts with silk, but ended up taking the lining out because it made the legs too full and bunchy.  Yes, I wanted them to be full, but I did not want them to look like clown pants.

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The top is made from a cotton-linen blend that’s the color of denim. I love this fabric and wish I could remember where I got it because I’d love to have more. The pattern is Vogue, 8906.

It has front pleats that form the shape of the bodice, eliminating the need for darts. There’s a zipper in back. To make the sleeves a little more boxy, I added a sleeve band that is 5″ wide. It makes the sleeves look more ‘finished’ to me, and adds a bit of a retro vibe, I think. I also added a v-neck, and adjusted the facings accordingly. This pattern is super easy! I plan on making several more versions including one with buttons down the front. The fit was spot on for me. I didn’t even have to adjust for my narrow shoulders. Nice!

img_7846I’m not sure if Poppy is a fall color, but I’m going to be wearing this outfit now, because linen is so perfect at this time of year. I’m not sure if I’ll really wear this top with the shorts though. Together they might be too much flare for me. Maybe I should wear them with a top that fits snuggly, or maybe something tucked in? Opinions welcome!

I hope your sewing projects are going well. Fall is my favorite time to sew, because the new fabrics are so fabulous. Enjoy!

A blue tee with pops of white for Spring

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I always feel as though Spring begins the first day after Easter because that’s when my sewing mood begins to shift. I put away the wools and sweater knits as I dream of sunshine and linen and silk.

But it’s been so cold and rainy here, it feels as though the sun has deserted us. I’m getting desperate for a few warm rays. That’s why I was drawn to a caption in a recent ‘ready-to-wear’ catalog that promised a ‘Riveria’ mood when wearing “crisp colors with pops of white.” If clothing can put you in a resort frame of mind, count me in! Why not add a bit of white to my blue top to make me feel…sunnier? IMG_8560

After completing my denim shirt dress (a labor of love, yes, but there was  a lot of topstitching!!), I need an easy, fast sew to revive my sew-jo. So, for this top I used a pattern that’s an old favorite; Vogue 8710 (OOP, but still available on their website).

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I’ve made it before (here).There’s a reason this top is a good ‘palate cleansing project’. The pattern is a fast sew and it fits well. For me, this is not always the case with Katherine Tilton designs. Often, they’re too voluminous for me, since I’m short and small, but this one is a winner.  The fit is close on top, flaring gently to a loose a-line shape at the bottom. This is accomplished by two insets, and the placement of those pieces is strategic; they have a slimming effect.The style would be flattering to anyone’s shape, I think.

There are two things I love about this pattern; it’s simple to put together, only a few main pattern pieces so cutting time is minimal. Not only that, but you can make it in an afternoon!! I used the stretch stitch on my regular sewing machine, and it worked fine.

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I made the pattern as designed except for two modifications. I cut contrast fabric on the bias for the neck instead of just using bias tape as suggested. I also shortened the length of the bodice by two inches so that it wouldn’t feel like a tunic on me. Fabric: Both the white and the blue knit are cotton jersey with two way stretch from Fabric Depot.

I love my new top! The cut is so versatile, I’ll wear it with pants or skirts. And I love the blue/white combination. It puts me in the mood for Spring. In fact, I do have the FEVER. I’ve been cleaning my sewing room, even reorganizing my stash so that the cotton lawns and linens are front and center. I’m eyeing some new fabric purchases too, a few new cottons, maybe even a bright print or two ( that’s how crazy Spring makes me.) For inspiration, I’m stalking my favorite ready to wear stores (Anthropologie) and the Vogue runway collection as well as your blogs and Instagram posts. But I’m always looking for something fresh and new.Where do you go when you need inspiration?

Happy sewing, and thanks for stopping by!

 

Vogue 9166: A sleek and sporty basic

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When I saw the new Vogue patterns for Spring, I could hardly believe my luck. Those lovely designers read my mind!!  I’ve been looking for a dress pattern with two-piece sleeves since the sporty trend began last Spring. Even though no one has ever described me as athletic, I sure like to look like I am! Racer details, vertical stripes, anything that gives an outfit a sporty edge and I’m all in.

There’s nothing like a knit sleeve that’s color blocked to make you feel like you can get to the finish line fast. My favorite design element of this dress is definitely the sleeves.The good news is, they aren’t just sporty. They’re easy to sew too.

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This dress is a breeze to make. From cut to hem, it only took about three hours.Vogue 9166 includes a dress and a top version as well as pants. All are made from knits.

Not only are the sleeves and yoke details cool, but the high low hem is fun too.  Because my knit had moderate stretch, I used my overlock stitch on my Bernina to finish the seams and hemmed with a twin needle.

Here’s a close up of the knit. It’s sort of unusual, I think, a Ponte from my stash (Yay!) with a silver design printed on it.

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Black is so hard to photograph! The silvery design printed on the knit dresses it up a bit, don’t you think?

The construction of this dress is really simple and straightforward, so if you’re new to knits, give it a try. I made my usual size and made a slight adjustment for my narrow shoulders. To give the style a bit of structure, I’d recommend a medium weight knit, something that isn’t too flimsy, or the dress won’t hang well. The cut is simple so the dress is easy to wear. It’s the sort of dress that you can move around in, a ‘throw on and go’ dress, my favorite! I’m sure I’ll wear it a lot.IMG_8316

I like the pattern and can imagine making it again, maybe a top, or another dress with a two bright colored knits (blue, anyone?). It would be a good piece to include in a capsule wardrobe. I’m suggesting that, not because I’m planning one, but because I should. I also noticed there’s a capsule wardrobe contest this Spring hosted by Pattern Review that provides great motivation to plan one. Will I? Probably not (?!?) but I’m looking forward to seeing what others put together as I continue to mull over the concept. Anyway, it seems to me that this dress, with its timeless style and high degree of wearability would be perfect for such a wardrobe, don’t you think?

Do you plan your wardrobe around the capsule concept, or are you a ‘fly by the seat of your pants’ person like me? Happy sewing and thanks for stopping by!

 

Vogue 8346: A coat just in time for Spring

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It’s sunny and warm in Portland today. Yet, I’m posting about a heavy winter coat! Yes, timing is everything, and mine isn’t impeccable, but here goes. I started this coat before Christmas, and just finished it because I worked on it in sporadically. So, here I am, wearing a wool coat when it’s sixty degrees outside. Of course, the weather here is a fickle friend, so it might be ‘bundle up’ weather tomorrow (is it evil to wish it would get cold again?). In any event, after all this work, this coat will be worn, no matter how hot it makes me!IMG_7948 (1)

This wool was purchased last year, and I loved it so much (and spent so much on it, LOL) I dithered a bit (actually a lot) before getting the nerve to cut it. I got all angsty over the choice of pattern, how to line it, whether I really needed to underline..(blah, blah, blah). Basically I was procrastinating. I do this whenever I contemplate a big project. Honestly, I drive myself crazy. Anyway, the weave of this wool was so beautiful, I couldn’t resist buying it from the Mill End Store when wool was on sale. I felt a little guilty as I splurged so I scrimped a bit on yardage, and wouldn’t you know? Now I wish I’d bought more. Once I started sewing it, I knew just how special it was. The weight, the weave, even the smell of this wool is heavenly (yes, I am weird). A long coat from it would have been so nice. Do overs, please?

The pattern I used for this coat is Vogue 8346, a classic style, with a bit of a flare.

Because my height almost qualifies me for petite status (only 5′ 4″ on a good day), I avoid styles with a lot of volume. Still, I loved the style of this coat but worried I’d look as though I was drowning in fabric.

So, I made a test coat from corduroy. This was a good move, as I realized after sewing only a few seams that the amount of flare on the design was too much for me. So I ripped it apart, recut the bodice pieces, tapering the flare a bit more, then tried again. That did the trick. Here’s my modified flare:

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I learned a valuable lesson from this process. The corduroy test version of my coat was great, but when I started working with the wool, I realized the drape of the two fabrics was very different. The thick wool made that little bit of flare seem quite exaggerated compared to the corduroy. So, I had to modify a bit more. All in all though, making the test coat was worth doing, as I learned a lot about the fit of the coat. The shoulders were in the right place and not too narrow, (no adjustment needed, yay), the waist was too long for me (raised it a half inch), and the sleeves were too full for me. Nothing too traumatic, but good to know.

The details: I underlined each piece to give the coat’s structure the support it needed to look crisp. This is not hard, but is time consuming, but well worth the effort. (For tips on underlining, take a look at House of Pinhero’s Peacoat Sew Along. In fact, just have fun looking around at all of her posts!) I used a polka dot silk for the lining, which feels like a dream. I highly recommend finding something luscious for the lining…you deserve it after working so hard on a coat, am I right?

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I added very thin shoulder pads to support the sleeve cap and an extra row of buttons because I love the ‘military’ look they add.

And, that’s about it!

IMG_7892The truth is, sewing a coat isn’t that hard, so who knows why I dithered around so much about this one? The challenge was the fit, I guess. Also, a coat with lining and underlining is a serious commitment of time and energy. But why not just jump in? Next time, I will. Sewing a coat is time well spent. I know I’ll wear this one again and again.

Do you dither around before starting a coat like I do? And what have you experienced when making a toile, (test garment) out of a fabric with a different drape? Thumbs up or down?

Happy sewing and thanks for stopping by!

 

 

 

Thursday Top: Vogue 8815

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Well, here we are in February, the month that straddles the seasons.  The fabric stores are flaunting new lightweight cottons and linens. Yet, I’m still working through my stash of sweater knits.

At this point, it’s probably ridiculous to state the obvious – I am a fan of sweater knits. As I’ve confessed before, it’s not just because they’re cozy and comfortable. It’s because I can’t knit. Really. My brain gets ahead of my fingers and, well, chaos ensues. Sweater knits are the easy way out.

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And they are so comfortable! However, as you can see in the photo above, I’m discovering yet another cat hair on me. Knits do seem to attract fur of any sort, but doesn’t everything? Still, this particular sweater knit is wonderful, a thick cotton/lycra blend that’s textured and double faced. The result is a lush, thick fabric with a moderate amount of give that is so great to wear.

IMG_7739 I took a close up of the fabric so that you could see the texture. The pattern I used for this Thursday top is one of my TNT (tried and true) patterns, Vogue 8815.

I made it before Here. The pattern is designed for wovens, but when I found this knit, I could see it only one way – – as this top. Generally, when I decide to use a knit instead of a woven, I take the pattern down a full size. But I’ve discovered that each knit is so different, it’s hard to predict how they will behave.

This time, I tried a new method to allow for the stretch in the knit. I adjusted the seam allowances from 5/8″ to 6/8″. Because the stretch on this knit was so moderate, I didn’t want to cut out a smaller size, only to discover the knit wasn’t stretchy enough to warrant that large of an adjustment.

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In the end, I was glad I made the adjustment this way. The knit didn’t stretch enough across the shoulders to warrant any adjustment at all. Because I basted in the seams, it was easy to just let the back seam out where I needed to. Yahoo! So glad I didn’t screw up this great fabric 🙂

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Because the knit had moderate stretch, I used my Bernina’s overlock stitch rather than serging the seams. Here are my pattern modifications:

  • Because I used a knit, I didn’t insert a zipper. The neck slips over my head easily.
  • I added a solid band of knit at the neck (very stretchy so that it wouldn’t bind) in contrasting black.
  • I also added a solid black band of knit at the waist. To do this, I shortened the front and back bodice by two inches. Then I cut 2, two inch wide bands of solid knit fabric the same width as the bodice pieces.  I sewed the solid knit pieces to the shortened bodice pieces before sewing on the back and front peplum pieces.

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Done! One winter project down, and a few more to go. I’m getting antsy for Spring, though. I’ve been longing to work with linen again. I think my first spring project will be a shirt dress of some sort. Have you started sewing for Spring, or are you still working through winter projects?

Happy sewing and thanks for stopping by!