McCall’s 6708: An animal print cardigan

 

 

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Yes, it’s a jungle out there! A bit of a cliche’ perhaps, but what better way is there to describe what’s happening in the sewing blog world these days? Everywhere, fabulous makes are being crafted from jungle worthy fabrics as part of #Jungle January, a month long walk on the wild side.

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This photo is from “Pretty Grievances” and it captures the mood of the month. In my opinion, the timing for Jungle January could not be better, since it can be a bit dull around here. It’s so easy to stay stuck in a routine when it’s grimly gray outside. How nice to be inspired to do something adventuresome in the new year. What better way to shake off the glooms!

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The fabric for my leopard cardigan was purchased a couple of years ago at Fabric Depot. It’s a stable cotton knit that I bought without knowing what I’d make from it. (Yes, this is a scary habit of mine that has resulted in a large stash that is about to take over the world.) As the fabric languished in my stash for years, I expected it was a purchase whose time had run out because, surely, animal prints would soon go out of style. Ha! I was so, so wrong. Now, in 2016, they are making a splashy return on the runways of Marc Jacobs, Givenchy, and Dolce and Gabbana.

So inspiring! But to me, what’s even more inspiring are these classic fashion icons.

No one wore a leopard print hat quite as well as Audrey!

When I saw these classic styles, I decided my leopard print needed to be fashioned into something with a bit of a vintage look. Enter the cardigan. My pattern is McCalls 6708. It’s Out Of Print, but you could use Butterick 6062 to get the same look.   I made the shorter version, view D, so it would look like one of those boxy vintage cardigans.

The fabric I used for the bodice is a stable knit from my stash. The neck, pocket and sleeve bands are from a remnant of sweater knit. At first, I was a bit disappointed in the sweater knit trim, as it became so ‘furry’ as I worked with it. The floor under my sewing machine was covered with little fuzzy bits. But then I realized just how appropriate that was for Jungle January. My fabric was shedding! Do you think the floor of the Jungle is just covered with fur?

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This pattern is great because you can embellish with as many details as you would like. I added one set of pockets, trimming them with buttons and sweater knit, but you could add more. The project was easy to sew but a bit time consuming (lots of trim to put on :)). The trickiest part was the button holes on the front band. Even though I interfaced it, the fabric stretched a bit more than I’d hoped. I think a stiffer interfacing would have helped.

Under the cardigan ( just to make the Jungle theme perfectly clear), I’m wearing a leopard print tee I made awhile back.

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It’s one of my favorite tees, I have to admit. The fabric is so soft and yummy, and the leopard print is so dark, I imagine it’s a neutral! This means I’m allowed to wear it with everything, right?

I hope you’re enjoying January, a chance to return to routine after the hectic holidays.  To revitalize my sewing mojo and ready myself for a great 2016, I’m reorganizing my stash based on fabric content, but I’m not convinced my system is perfect. I also would like a way to keep track of my fabric inventory in a document that I could take with me when I look for patterns. Would love to know how you organize your stash!

Happy sewing and thanks for stopping by!

 

A Spring Coat like Betty’s

Betty Draper was my inspiration for this coat. Do you all remember the blue coat she wore in season one, when she was still in love with Don?
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A statement coat to be sure! And look at her hair, how it curls under so perfectly! No wonder Don had to have her.
I made my version of her coat from a Butterick pattern from my own extensive (!!) archives. It’s Butterick 5569, a coat pattern designed by The Cut Line that has princess seams and a big collar that gives the style a retro feel.
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The fabric is from Mill End, an incredible fabric store here in Portland that has a wool department that beats all. My coat is made from a thick, double-faced wool in black, dotted with flecks of white.
To sharpen the details, I trimmed the coat’s front lapel and collar with piping, then finished it with vintage buttons I found in Stars Antique Mall in Portland.
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Because the wool is double-faced, it’s very heavy, so I didn’t want to line the coat because I thought it would be too hot to wear. So, I finished the seams with binding so that they wouldn’t fray, giving the inside of the coat a finished look.
The coat’s comfortable and warm. I even braved the elements and wore it when I visited Anthropologie last week (okay, true confession. I do not make everything I wear, LOL), and I did not feel out of place in my me-made garment, which makes it a win, right?
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Soon, it will be so warm here in Portland, I won’t want to wear this coat (says the optimist).  But right now, Summer feels years away, so coats are a must.
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I love retro fashion, but prefer to sew from modern patterns with their fabulous fit. What about you? Have you used vintage patterns? Good experience or bad?

Shift dress: Then and Now

I must be watching too many Mad Men reruns, because this week, I found myself crafting my very own shift dress!

And I’m not the first person to want this look. Audrey did.AHepburn21_V_18Nov11_rex_b_426x639

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Jean Shrimpton did too.JShrimpton3_V_23jan12_pa_b_426x639

Pretty good company, if I had to say. It’s a timeless shape and the look is easily modified with a belt, or a bit of bling. The look became popular in the sixties when Audrey Hepburn wore a black one designed by Givenchy in Breakfast at Tiffany’s.

This week, I made my own shift dress out of a woven fabric, a chambray that looks like light-weight denim, purchased at Fabric Depot.

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I used Vogue 8840 as the base of my design, a pattern for a drop-shoulder tunic with sleeves. I lengthened the pattern, then embellished it with pockets with buttons, and cuffs on the sleeves.

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I self drafted the pockets by cutting seven-inch squares. I added flaps that by free cutting four triangles from the fabric, then faced them by sewing them together. I added the buttons after the fact because I thought the pockets looked boring without them.

The double top stitching came to me after shopping ready to wear. I tried on a similar dress and noticed how the stitching seemed to make the details stand out. Top stitching is mindless, but satisfying, don’t you think? And it’s a easy to do while you watch old movies, a huge plus as far as I’m concerned!

Shift dresses are so easy to wear. I also could belt this and wear it over leggings in the fall. DSC02457

After all, Audrey Hepburn belted hers! And who doesn’t want to be like her?

What about you? Do you like the shift dress look? Who do you think did it better? The girls in the sixties, or us?  Do you have a favorite shift dress pattern?