My latest sewing project is having a bit of an identity crisis. It’s a bit too short to be called a dress, but a bit too long to be called a top. In spite of this, I have to call it something to blog about it. So, I’m going to call it a dress. In fact, to be specific, it’s a Little White Dress (LWD), my second one, a trend in my sewing that’s bit surprising since white is definitely not my color.
I must be watching too many Mad Men reruns, because this week, I found myself crafting my very own shift dress!
Pretty good company, if I had to say. It’s a timeless shape and the look is easily modified with a belt, or a bit of bling. The look became popular in the sixties when Audrey Hepburn wore a black one designed by Givenchy in Breakfast at Tiffany’s.
This week, I made my own shift dress out of a woven fabric, a chambray that looks like light-weight denim, purchased at Fabric Depot.
I used Vogue 8840 as the base of my design, a pattern for a drop-shoulder tunic with sleeves. I lengthened the pattern, then embellished it with pockets with buttons, and cuffs on the sleeves.
I self drafted the pockets by cutting seven-inch squares. I added flaps that by free cutting four triangles from the fabric, then faced them by sewing them together. I added the buttons after the fact because I thought the pockets looked boring without them.
The double top stitching came to me after shopping ready to wear. I tried on a similar dress and noticed how the stitching seemed to make the details stand out. Top stitching is mindless, but satisfying, don’t you think? And it’s a easy to do while you watch old movies, a huge plus as far as I’m concerned!
After all, Audrey Hepburn belted hers! And who doesn’t want to be like her?
What about you? Do you like the shift dress look? Who do you think did it better? The girls in the sixties, or us? Do you have a favorite shift dress pattern?